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28, before the R-rated cut opened on Dec. The lead-up to its release has accordingly capitalized on popular morbid curiosity, with an unrated director’s cut playing in theaters for one night only, on Nov.
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The House That Jack Built marked von Trier’s return to Cannes earlier this year, and though the director’s arrival at the premiere earned a standing ovation, the film itself (which stars Matt Dillon as the serial killer Jack) received groans and walkouts in protest of its brutal content. Seven years on from that infamous press conference, his latest film, The House That Jack Built, is making waves not only among audiences, but with the Motion Picture Association of America. There are those comments that got him (temporarily) banned from Cannes and, more seriously, recent allegations of sexual harassment (which did not name him directly, and which he subsequently denied) from the singer Björk, who starred in von Trier’s Dancer in the Dark.Īs time has passed and his work has become increasingly in conversation with his reputation, the question seems to be whether or not all the fuss that’s inevitably kicked up around each time von Trier releases a new film is truly warranted. It’s a title that’s well-earned over the director’s years of increasingly provocative films - Breaking the Waves, Antichrist, Melancholia - as well as his behavior in public and on set. In a report on the 2011 press conference where Lars von Trier referred to himself as a Nazi and consequently got himself banned from the Cannes Film Festival, the Hollywood Reporter referred to the director as “cinema’s premiere enfant terrible.”